SCREENS: A Project About "Community" is the first installation of a long term project titled Free Weaving the News. It was shot during operating hours at the East Tenth Street Russian and Turkish Baths in the East Village in New York City. The project was held as a series of performance salons, as well as the resulting short film, shown as an installation with sculptures and Free-Weavings at Essex Street Flowers in New York City.
Excerpt of SCREENS: A Project About “Community”; 2016-2020
S C R E E N S
SCREENS: A Project About “Community”
SCREENS, A Project About “Community” centers on a group of regular bathers that co-exist at the Russian and Turkish Baths on East 10th Street. This exhibition frames the body and mind as a filtering system, exploring the slippage between notions of reaction and response, and questioning the solidity of such identity states as “insider” and “outsider.”
Open since 1892, the current owners of the baths, Boris and David, operate two separate businesses under one roof, running their respective enterprises on alternate weeks. Each week maintains its own specific social codes and business practices. SCREENS, a Project About “Community”explores the dynamics of the Boris week which fosters more cash-, verbal-, and gray-market negotiations, as well as hotter rooms. Within the context of the ever-fluctuating East Village neighborhood, this mode of business operation has fostered a particular and thriving mixed social space based in a bathing culture of “regulars.” Knoop’s practice as a “regular” manifests in a short film shot during operating hours at the baths, as well as a series of partition screen sculptures, prints on aluminum, and a video-viewing booth.
To make the privacy partition screens, Knoop rolls and weaves the news; literally restructuring the volumes of information about current events through a time-honored process often associated with domestic work. They subsequently encase the weavings in aqua-resin, burnishing them with oil. Slippery and chunky, these objects materialize metaphorical ways of processing experience: filtration, projection, deflection, and blocking. Inside the patinated privacy booth, visitors can watch Knoop’s video about the baths. Shot over the course of a few years, the video blends fact and fiction, capturing different moments of regulars in their individual bathing routines and revealing glimpses of particular social codes and implicit rules. Through this exhibition, Knoop invites viewers to become, however temporarily, imagined members of this ever-shifting community.
Screen still from SCREENS: A Project About “Community”
